Located in Thorndon, Wellington, opposite Mansfield Garden, the Australian High Commission building is a striking example of high modernist design in the Stephenson & Turner portfolio. This architectural gem reflects Neo-Corbusian influences, with its Golden Mean-inspired proportions, free-flowing plan, internal column grid, and the use of ribbon windows, which are hallmark features of the design.
A significant design challenge was balancing varying floor area requirements across the building’s levels. Drawing from Corbusian principles, the solution involved inset structural grids, allowing for the integration of expansive panoramic windows. This approach contributed to the building’s visual lightness and its free façade design. The building’s height was deliberately kept low to ensure it harmonized with the residential character of the surrounding neighbourhood.
To celebrate the enduring relationship between New Zealand and Australia, the building includes versatile public spaces designed for diverse events, from large gatherings in the theatrette and main function areas to more intimate spaces like the library. The interior design integrates materials that complement the building's modernist style, with Wombeyan marble tiles from New South Wales cladding the exterior and extending into the ground floor. The façade also features silver-grey mirrored glass, which contrasts beautifully with clear glass at either end of the main reception hall, creating a strong visual link between the interior and exterior. In contrast to the typical metal-pan ceilings found in office environments, Australian Brushbox wood adds warmth and visual interest to the building’s feature spaces.
The Australian High Commission continues to stand proudly in Wellington, a lasting testament to Stephenson & Turner’s legacy in high modernist architecture. As a project we are incredibly proud of, it reflects our commitment to creating sustainable, innovative architectural designs that not only meet functional needs but also enhance the cityscape.
